And I had a problem – that when you deliberately make temporary work, your only future is speeding towards the radical oblivion of self-erasure. However, the consideration of ongoing access, by a broader audience, over a longer passage of time, is almost a contradictory negotiation. Frequently, transient works of art are returned to objects through various methods of documentation. But documentation - the photograph of a performance, the sketch of an installation, the instructions for actions, are these substitutes ever sufficient and do they occasionally undermine the work?